I take the drink in my hand.  I lick the salt off my wrist, drink it, squeeze it, squish the lemon rind in my teeth and slam down the shot.  I push the bottle in front of Charles.

 

Your turn.

 

He goes through the motions and once he’s finished his drink, drops the shot on the table.  I catch it before it can roll off the side.  I reach for the bottle but Charles protests, holds up his hand as if to say enough is enough.  He’s probably right.  I sink down in my seat and run my hands cross my unshaven face.  I check my watch and remember I’m not wearing one. 

 

So God told you that He’s inside your TV.

 

Correct.

 

Is He trapped in there or –

 

I don’t think so.

 

So why’s He there, man?

 

Beats me.

 

He told you?

 

Not exactly.

 

Why?

 

He showed me.

 

He showed you when?

 

Not too long after Natasha dumped me … Unofficially.

 

Unofficially?

 

Yah.  Un.

 

The first time I got dumped, all it took was a phone call.  The second time I got dumped was at Disneyland.  On the Peter Pan ride.  The third time I got dumped, she said we could still be friends – and we were.  Right until the moment she dropped me home.  Then I tore her number out of my little black book, took her picture out of the frame on my night stand, ripped it up and ate it.  Natasha never told me she was dumping me.  Like I was supposed to figure it out.  Like I’m supposed to be like: Oh.  She hasn’t called me in three weeks.  I guess she’s dumped me.

 

Here’s how it happened.  We’re at my apartment, we’ve just had sex and we’re trying to fall asleep because we both have work tomorrow.  But for some reason, she’s tossing and turning and hogging the sheets so I turn to her and ask her if she wants my pillow – like maybe she wanted mine.  Made sense.  Normally I sleep with one pillow, but it made sense to me how some people might need two to get a good night’s sleep.  She turns to me and tells me she doesn’t know what she wants.  I thought she was talking about the pillow.

 

Maybe I wasn’t courteous enough.  Maybe I talked too much.  Or maybe it’s because I came and she didn’t – it doesn’t matter.  What I do know is that while I was sleeping, she dumped me.  And ran.

 

Charles goes to the fridge for a Pepsi.  I turn my head and strain my neck to see what’s on TV.  Julius.  Genesis.  The emperor of hardboiled tabloid journalism.  Everybody knows this guy.  He started off writing a column for the Times Metro section.  Next thing you know he’s this news anchor for Channel Seven’s evening news.  Ratings skyrocket.  The pigs cheer.  Women adore him, men fashion their lives after him.  Two thousand clones.  In royal blue shirts and yellow ties, marching through intersections with cymbals in their hands.

 

Flashback two years ago.  Warner Brothers forks over a modest eight million dollars for him to star in this action flick called No More Mister Nice Guy – a more or less biographical feature.  Up to the point where Genesis is interviewing the President of the United States and a group of terrorists take the station hostage.  Then it’s up to Genesis to save the President and kill off the bad guys one by one.  With an uzi.  The movie bombed and Genesis returned to television primetime with his own weekly news program called The Message.  Channel Seven put his mug on every billboard and bus bench in town.  You turn a corner and there he is, staring at you.  Blue eyes, curly blonde hair, bronze tan, and, of course, the infamous Julius Genesis nose – a glorifying tribute to the aging Roman aesthetic.  A triumph for toucans everywhere.

 

Genesis says a Downtown warehouse party just got busted.  LAPD show up, gas the joint and take a gang of kids in for inciting a riot.  Minor drug charges.  Clip of cops batting a sixteen year-old kid wearing an Elmo backpack.  Cut to kids laughing and giggling.  Cut to kids squeezed into squad cars.  Some of them flip the camera West Side signs.  I wonder if John is in one of those cars.

 

Charles is nodding off.  I nudge his elbow.

 

Hey.  Hey, what time is it?

 

I dunno.

 

Hey.

 

What?

 

Are you drunk?

 

What?

 

You never get drunk.

 

Wrong.  Charles never gets drunk.

 

Don’t – don’t –

 

I don’t HAVE to be Charles.

 

I belch.  I’m blitzed.  Charles leans back in his chair and tumbles backwards.  His right hand reaches for the carpet to cushion his fall while his left hand shoots for the table leg in vain.  He lands on his head and laughs.

 

Hey, Justin. I was just thinking –

 

You’re drunk.

 

Why one god, man?

 

Why not?

 

Cuz the Greeks, man.  Those guys – they knew where it was AT, man.  They had a whole bunch of gods like, up on the mountain.  Cuz they realized, they thought, like, one god is WRONG.  He’s more likely to fuck things up.  But man, you got like a THOUSAND gods up there and each with a designated job … Now you’re in business.  You just – that’s it, man.  And with a thousand gods and stuff, it’s easier to pass the blame.

 

Get outta my house.

 

Naw.  I was just leaving.

 

Hey.  I didn’t mean it.

 

Naw, I gotta get home, hit the sack.

 

Why don’t you crash here?

 

Frankly, your TV frightens me.

 

You’re drunk.

 

And God help any driver who gets in my way.  G’night.

 

G’night, man.

 

And when you see me tomorrow, I’ll be a NEW MAN.

 

You’re not getting a sex change, are you?

 

The New Charles flips me off and stumbles out the door.

 

Night.

 

Night.

 

I turn off the TV and jerk my body towards the couch, balancing elephants on my head.  The closer I get to my destination, the heavier the elephants get.  I lie down on my stomach, shut my eyes and the elephants are gone. I wonder if Natasha is awake right now.  Right before I pass out, I hear the TV.  It’s on.

 

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